I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
I love haunted house stories, and this one was genuinely creepy. It is a first-person account of the growing paranoia of a couple looking to escape their own demons, with both unable to communicate the weird things happening in their house.
I love how it subverted your usual ghost story elements. Instead of leaky pipes, weird spaces appear in the walls. Instead of creepy moans, bruises appear out of nowhere. Is it psychosis? Sickness? Or is something otherworldly in the house? I don’t know. The unsettling horror is ambiguity amplified by a failure of communication, and that’s why I find it so creepy.
Finalist for the Chicago Review of Books Fiction Award, Dan Chaon's Best of 2017 pick in Publishers Weekly, one of Vol. 1 Brooklyn's Best Books of 2017, a BOMB Magazine "Looking Back on 2017: Literature" Pick, and one of Vulture's 10 Best Thriller Books of 2017.
Jac Jemc's The Grip of It is a chilling literary horror novel about a young couple haunted by their newly purchased home
Touring their prospective suburban home, Julie and James are stopped by a noise. Deep and vibrating, like throat singing. Ancient, husky, and rasping, but underwater. “That’s just the house settling,” the real…
I absolutely devoured this book. I found it profoundly upsetting and uncomfortable. It tackled a lot of powerful issues and fear of the ‘other,’ such as homophobia, racism, religion, and AIDS.
Set in the small town of Breathed, the story is about the deeply flawed Bliss family, narrated by an older version of the main protagonist, Fielding Bliss. I loved learning about all their idiosyncrasies, personal troubles, and the impending doom that lingered over them and the entire town. This book stayed with me well after reading it. It’s so shocking, so raw, and so unexpectedly heartbreaking.
Fielding Bliss has never forgotten the summer of 1984: the year a heatwave scorched the small town of Breathed, Ohio. The year he became friends with the devil.
When local prosecutor Autopsy Bliss publishes an invitation to the devil to come to the country town of Breathed, Ohio, nobody quite expects that he will turn up. They especially don't expect him to turn up as a tattered and bruised thirteen-year-old boy.
Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the…
I found this a captivating read. It was morbid, dark, and grim, but it was also exciting. I was quickly drawn into the world of Immanuelle Moore, whose mother was called a witch and died giving birth to her. I loved the author’s attention to detail.
The villages of Bethel and the Darkwood are so vivid that I could believe the protagonists’ lives in the puritanical, secluded world full of zealots, idolatry, sexism, and racism. The book is also beautifully atmospheric—the village, the trees, and the large cathedrals are so well described.
One of the book's main themes was self-discovery, which is why I think it’s more aimed toward YA, but I recommend it to anyone interested in witches, small towns, religion, and feminist themes.
A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut.
In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.
But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased…
A 90s, queer, coming-of-age story mixed with cosmic horror, I would have read this in a single sitting if I didn’t have to get off the bus. The protagonist, Heath, is an artistic teen who recreates horror movie posters during his habitual trips to the local video store and is slowly starting to realize he is gay, something discouraged by his fellow students at his Catholic school.
I loved the lack of explanation about the supernatural elements. Was the monster all in Heath’s head? I love the ambiguity, but I also love it as a metaphor. I really enjoyed the emotional journey, which felt very autobiographical. My favorite thing is the video store itself. I’m 33, so this brought back fond memories of visiting the video store with my parents.
The story of a boy who dreamed of becoming a man… But dreamed up a monster instead
You’re on the run. Marked. Don’t think about the kid you used to be when you’re homeless and dumpster-diving in the rain. Just eat whatever you find to keep your engine full. Because the shadow with too many teeth wants you tired.
You’re easier to catch when you’re tired.
It has hunted you since the summer of 1994, back when we confessed who we were through mixtapes. When every movie at the video store had dirty heads. You were thirteen and thought you…
This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.
What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny.
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his…
My book is a collection of 17 short stories, and many of the characters undergo some form of change—usually through their bodies. Madeline will never become a woman, and William will never become a man. Does June deserve to be human? Does Lilith deserve a heart? If imperfection is crucial to a society’s survival, what makes a monster?
My book features stories written between the ages of 23 and 26. I had my first daughter at 21, and my second at 32, so many of these stories are about the challenges of adapting to parenthood alongside my epilepsy and struggles with a borderline personality disorder. I’ve always struggled to reconcile with the challenges the world has thrown at me, which is reflected within these stories. However, I would like to say I am now a very different person, and the death of my husband and father has reshaped me and how I approach my writing, so my next collection may be entirely different. Who knows?
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine, unleashing strange and frightening happenings around her home, which, in turn, reveals a disturbing family history.
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine, unleashing strange and frightening happenings around her home, which, in turn, reveals a disturbing family history.
